{"id":298,"date":"2013-04-13T15:22:59","date_gmt":"2013-04-13T13:22:59","guid":{"rendered":"https:\/\/dev.lodysse-costumiere.fr\/?post_type=projet&p=298"},"modified":"2026-05-05T11:10:34","modified_gmt":"2026-05-05T09:10:34","slug":"groosland","status":"publish","type":"projet","link":"https:\/\/dev.lodysse-costumiere.fr\/?projet=groosland","title":{"rendered":"Groosland"},"content":{"rendered":"\n

Ce ballet de Maguy Marin cr\u00e9\u00e9 en 1989 est embl\u00e9matique dans l’histoire de la danse.\u2028\u2028Vingt danseurs, rev\u00eatus d’une seconde peau de gros, nous invitent, \u00e0 travers les Concertos brandebourgeois 2 et 3 de Bach, \u00e0 voyager dans leur monde.<\/p>\n\n\n\n

C’\u00e9tait un honneur de recr\u00e9er les costumes pour l’entr\u00e9e au r\u00e9pertoire du Ballet du Capitole. Nous avons r\u00e9alis\u00e9 en \u00e9quipe dix faux corps de femme et dix faux corps d’homme. La technique utilis\u00e9e est celle du tulle fronc\u00e9, mont\u00e9 sur un acad\u00e9mique de danse. L’objectif \u00e9tant de gagner en l\u00e9g\u00e8ret\u00e9 ainsi que d’\u00e9pouser tous les mouvements des danseurs.<\/p>\n","protected":false},"featured_media":111,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false},"class_list":["post-298","projet","type-projet","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nGroosland - Lodyss\u00e9 \/ \u00c9lodie Sellier<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dev.lodysse-costumiere.fr\/?projet=groosland\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Groosland - Lodyss\u00e9 \/ \u00c9lodie Sellier\" \/>\n<meta property=\"og:description\" content=\"Ce ballet de Maguy Marin cr\u00e9\u00e9 en 1989 est embl\u00e9matique dans l’histoire de la danse.\u2028\u2028Vingt danseurs, rev\u00eatus d’une seconde peau de gros, nous invitent, \u00e0 travers les Concertos brandebourgeois 2 et 3 de Bach, \u00e0 voyager dans leur monde. C’\u00e9tait un honneur de recr\u00e9er les costumes pour l’entr\u00e9e au r\u00e9pertoire du Ballet du Capitole. 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